{"id":330,"date":"2026-02-15T05:15:09","date_gmt":"2026-02-15T05:15:09","guid":{"rendered":"https:\/\/jskm.kr\/?post_type=product&p=330"},"modified":"2026-04-10T15:42:48","modified_gmt":"2026-04-10T15:42:48","slug":"major-mode-triad-pair","status":"publish","type":"product","link":"https:\/\/jskm.kr\/?product=major-mode-triad-pair","title":{"rendered":"\uba54\uc774\uc800 \ubaa8\ub4dc \ud2b8\ub77c\uc774\uc5b4\ub4dc \ud398\uc5b4"},"content":{"rendered":"

Product Description<\/h2>\n

This lesson introduces triad pairs derived from the major mode and explores how they can be used as melodic and harmonic material in improvisation.<\/p>\n

Rather than treating triad pairs as abstract theory, the lesson focuses on how two simple triads can create rich intervallic color, forward motion, and modern phrasing within a tonal center.<\/p>\n

By understanding how triad pairs are constructed and applied, you will expand your improvisational vocabulary while maintaining harmonic clarity.<\/p>\n

\n

This lesson covers<\/h3>\n

\u2013 What a triad pair is in the context of a major mode
\u2013 How triad pairs are derived from diatonic harmony
\u2013 Practicing triad pairs across positions
\u2013 Applying triad pairs in improvisation<\/p>\n

\n

Included<\/h3>\n

\u2013 One video lesson
\u2013 PDF material (practice examples and explanations)<\/p>\n

This is a digital product.
No physical items will be shipped.<\/p>\n

\n

\ub808\uc2a8 \uc18c\uac1c<\/h1>\n

\uc774 \ub808\uc2a8\uc740 \uba54\uc774\uc800 \ubaa8\ub4dc\uc5d0\uc11c \ud30c\uc0dd\ub418\ub294 \ud2b8\ub77c\uc774\uc5b4\ub4dc \ud398\uc5b4\uc758 \uad6c\uc870\uc640 \ud65c\uc6a9\uc744 \ub2e4\ub8f9\ub2c8\ub2e4.<\/p>\n

\ud2b8\ub77c\uc774\uc5b4\ub4dc \ud398\uc5b4\ub97c \ub2e8\uc21c\ud55c \uc774\ub860 \uac1c\ub150\uc73c\ub85c \uc811\uadfc\ud558\ub294 \uac83\uc774 \uc544\ub2c8\ub77c,
\ub450 \uac1c\uc758 \ud2b8\ub77c\uc774\uc5b4\ub4dc\uac00 \ub9cc\ub4e4\uc5b4\ub0b4\ub294 \uc74c\uc0c9\uacfc \uae34\uc7a5, \uadf8\ub9ac\uace0 \ud504\ub808\uc774\uc9d5 \ud655\uc7a5 \uac00\ub2a5\uc131\uc5d0 \ucd08\uc810\uc744 \ub9de\ucda5\ub2c8\ub2e4.<\/p>\n

\ud2b8\ub77c\uc774\uc5b4\ub4dc \ud398\uc5b4\ub97c \uc774\ud574\ud558\uba74
\ubcf4\ub2e4 \ud604\ub300\uc801\uc778 \uc0ac\uc6b4\ub4dc\uc640 \uc120\uc728\uc801 \uc811\uadfc\uc744 \uc989\ud765 \uc5f0\uc8fc\uc5d0 \uc790\uc5f0\uc2a4\ub7fd\uac8c \uc801\uc6a9\ud560 \uc218 \uc788\uc2b5\ub2c8\ub2e4.<\/p>\n

\n

\ub808\uc2a8\uc5d0\uc11c \ub2e4\ub8e8\ub294 \ub0b4\uc6a9<\/h2>\n

\u2013 \uba54\uc774\uc800 \ubaa8\ub4dc\uc5d0\uc11c \ud2b8\ub77c\uc774\uc5b4\ub4dc \ud398\uc5b4\uac00 \ub9cc\ub4e4\uc5b4\uc9c0\ub294 \uc6d0\ub9ac
\u2013 \ub2e4\uc774\uc5b4\ud1a0\ub2c9 \uad6c\uc870 \uc548\uc5d0\uc11c\uc758 \ud398\uc5b4 \uc870\ud569
\u2013 \ud3ec\uc9c0\uc158 \uc5f0\uacb0 \uc5f0\uc2b5
\u2013 \uc989\ud765 \uc5f0\uc8fc\uc5d0 \uc801\uc6a9\ud558\ub294 \ubc29\ubc95<\/p>\n

\n

\uc774\ub7f0 \ubd84\uaed8 \ucd94\ucc9c\ud569\ub2c8\ub2e4<\/h2>\n

\u2013 \ubaa8\ub4dc \uae30\ubc18 \uc989\ud765 \uc5b4\ud718\ub97c \ud655\uc7a5\ud558\uace0 \uc2f6\uc740 \ubd84
\u2013 \uad6c\uc870\uc801\uc778 \uc811\uadfc\uc73c\ub85c \uc194\ub85c\ub97c \uc815\ub9ac\ud558\uace0 \uc2f6\uc740 \ubd84
\u2013 \ud2b8\ub77c\uc774\uc5b4\ub4dc\ub97c \ud604\ub300\uc801\uc73c\ub85c \ud65c\uc6a9\ud558\uace0 \uc2f6\uc740 \ubd84<\/p>\n","protected":false},"excerpt":{"rendered":"

\uba54\uc774\uc800 \ubaa8\ub4dc \ud2b8\ub77c\uc774\uc5b4\ub4dc \ud398\uc5b4\ub97c \ud1b5\ud574 \uc120\uc728\uc801 \uc0c9\ucc44\uc640 \ud504\ub808\uc774\uc9d5\uc744 \ud655\uc7a5\ud569\ub2c8\ub2e4.<\/strong><\/p>\n

Exploring major mode triad pairs to expand melodic color and phrasing.<\/em><\/p>\n

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